Product Details
- Amazon Sales Rank: #7030 in Music
- Released on: 2002-03-19
- Number of discs: 1
- Dimensions: .20 pounds
Editorial Reviews
Album Description
Deluxe double 180gm white vinyl dire in gatefold sleeve. In 1986, Judas Priest dictated to record a double manuscript called Twin Turbos of that half would be lighter, some-more blurb Rock, and a other half would be likewise discriminating though heavier and reduction synth-driven. As it happened, record labels being notoriously shy about double albums, a plan was separate into dual releases, with a some-more blurb Twin Turbos element being relegated to Turbo. The manuscript noted a band's initial use of guitar synthesizers. Back On Black. 2010.
By Judas Priest
Buy new: $6.68
27 used and new from $2.93
Customer Rating:
First tagged "metal" by DARTHTATER
Customer tags: pop metal(2), judas priest(2), heavy metal, glen tipton, rob halford, ian hill, kk downing, glam metal, hair metal, metal
Customer Reviews
Most useful patron reviews
35 of 38 people found a following examination helpful.
By mwreview
Turbo was a manuscript that caused a lot of long-time Judas Priest fans to roar for reprisal (or, during least, to not buy a album). With all a hair holding over a moneymaking side of steel in a mid-1980s, Priest motionless to try to money in with a some-more blurb and synthesizer-driven sound. Turbo does not sound like Poison, yet it is some-more radio accessible than a mostly oppressive and heartless Defenders of a Faith. Most fans did not like Turbo given it did not sound adequate like Judas Priest. we remember reading a minute in a stone repository where a fan certified to good when he initial listened a album. Well, it's not that bad. In fact, some of a marks here are flattering good and one is incredible.
"Turbo Lover" is a unequivocally cold track. The synthesizers make it sound like a unconventional motorcycle cruising down a highway and a guitar solo is awesome. "Locked In" is unequivocally blurb yet damn familiar that was accompanied by Priest's many artistic strain video. "Reckless" is another familiar lane that does not turn a romantic blurb strain like some of a marks here. "Hot For Love" is also flattering good yet a carol seems disjointed. The guitar mangle demonstrates how bands like Iron Maiden were shabby by these steel statesmen. The best track, by far, though, is "Out in a Cold." It is an amazing, absolute ballad and one of my all-time favorite Priest songs. It is value a cost of a manuscript alone!
In my opinion, Turbo's categorical smirch is that it didn't go serve in a experimentation. It becomes unequivocally blurb with marks like "Parental Guidance" (an apparent strike on a PMRC who criticized a lane "Eat Me Alive" off their prior album), "Private Property," and "Wild Nights, Hot Crazy Days." "Parental Guidance" sounds like a strain created by a garland of teenagers, not by steel veterans good into their 30s and maybe even pulling 40. "Rock You All Around a World" is one of those "all accost us" songs that we do not caring for. Despite these tracks, Turbo is not a finish bust a lot of fans explain it to be. Turbo was indeed designed to be a double manuscript called "Twin Turbos." When that devise was scrapped, many marks were left off. Some found there approach on Ram it Down like a pretension track, "Hard as Iron," "Monsters of Rock," and "Love You to Death." The initial dual were substantially finish during a time of Turbo. It is formidable to suppose what a double Twin Turbos manuscript would be like as Ram it Down is so most opposite than Turbo. It might have helped fans accept a synthesizers if half a manuscript gave them a some-more standard Priest sound. It substantially should not be a initial Judas Priest manuscript we buy, yet it is not a finish bust. "All Fired Up" is a good additional lane and a shining "Out in a Cold" is value dual stars alone!
20 of 24 people found a following examination helpful.
By The Scenario
This was my fifth central Priest album. we got bending on them with "Defenders", had to run out and get "Screaming" immediately after that, dubbed a friend's copies of "British Steel" and "Hell Bent" (keep your shorts on Sony, we have given purchased a CD's...twice) and afterwards waited dual years with baited exhale to get my hands on this classic. Like many, we was primarily shocked by what was entrance by my speakers. Priest singing songs about adore and partying, with silken synth-heavy prolongation and electronic drum sounds? Even a token teen rebellion strain ("Parental Guidance") is kind of lightsome and not unequivocally an "angry" strain during all. It was a small tough to take during first. But it shortly came to be my third favorite Priest album, right behind a 1-2 punch of "Screaming" and "Defenders". Maybe it has something to do with a fact that this manuscript came out right when we was graduating from high propagandize and it served as a unequivocally kickin' soundtrack for my final summer before college (it IS a good pushing record, make no mistake).
The initial 4 songs on this manuscript are sum classics in my mind. "Turbo Lover" stays one a best songs they've ever done, we don't caring what anyone says. we put it on one of my jogging tapes several years ago, right during a indicate where we routinely start to remove steam, and let me tell you, that strain unequivocally kicks in a adrenaline for me. "Locked In" is also a good song, we adore those electronically altered wails on a guitar in a beginning. "Private Property" has a cold effervescent synth in a commencement that transitions into a mid-tempo brooding rocker. "Parental Guidance", notwithstanding my progressing comments, is a fun singalong strain derisive relatives and a PMRC for being so [bad] about stone n' hurl and a ostensible change on kids. "Rock You All Around The World" is my franchise favorite strain on a album, and "Wild Nights, Hot & Crazy Days" and "Hot For Love" don't do most for me either. But "Out In The Cold" is simply a best ballad Priest has ever done, totally blows divided "Before The Dawn", "Night Comes Down", or "A Touch of Evil". It was also a good choice for opening series on a "Fuel For Life" tour. If we can get a VHS chronicle of "priest...live!", check out how good this strain works as a opening number. Doesn't seem like it would given it's a ballad (although Priest ballads are typically flattering damn heavy), yet you'll see what we mean. The shutting track, "Reckless", is also a good tune, Halford's voice is good as always and he unequivocally know how to display a lyrics.
I don't caring what a naysayers say, this is an essential section in a Priest story. If your low-pitched tastes are so difficult that we can't lay by this one, afterwards don't worry with Priest during all, go listen to your collection of genocide steel albums and leave a rest of us alone!
13 of 15 people found a following examination helpful.
By Sidsel Roine
I recently pulled this record off a shelf and gave it another listen after owning it for many years. It astounded me how good a lot of it stands adult once we demeanour past a apparent scrutiny of a 80s synth sound.
Half of a songs on this manuscript would be uncommonly listenable if they weren't impeded with a indignity of being found on a Turbo album. The pretension strain is a lane that captures a hint of Judas Priest's music: a noted outspoken delivery, passionate innuendo, and a dim vibe that belies a witty title.
Other marks embody a energy ballad "Out in a Cold", that is selected Priest once a overlong synth intro is out of a way. The dual marks "Reckless" and "Locked In" would have been right during home on another Priest manuscript such as Defenders. The rest of Turbo is a churned bag of 80s flint steel that meets with some intermediate success.
I never bought into a guys in Priest being a flag-bearers of teenage rebellion, and apparently not many other people do either. Still, a moments on Turbo where Priest is not perplexing to brand themselves with a girl transformation are enjoyable, and it's a contrition that an manuscript with 4-5 good songs gets discharged in an epoch where complicated bands put out 1-2 strike strain albums padded by 8-9 filler tracks.
A Myriad of Design Flaws
Don't rubbish your money
I wanted to venerate it. we like it, instead.
